King Tubby, docteur ès dub et seigneur du son.

King Tubby & Prince Jammy : "Dub of rights", Dub gone 2 crazy : in fine style 1975-1979, Blood & Fire – BAFCD 013, 1996Prince Jammy : "Life is a moment in space", The crowning of Prince Jammy, Pressure Sounds – PSLP25, 1999Tommy McCook : "Jamaican bolero", Studio One Scorcher vol.2, Soul Jazz Records – SJR LP143, 2006U Roy : "Babylon burning", Natty rebel, Virgin – VX 1008, 1976King Tubby & the Soul Syndicate : "Ethiopian version", Freedom sounds in dub, Blood & Fire – BAFLP 011, 1996Barrington Levy : "Skylarking dub", Barrington Levy in dub, Auralux Recordings – LUXXLP 015, 2005Scientist : "Don't rish the dub", Dub in the roots tradition, Blood & Fire – SVLP 333, 2001King Tubby : "Dub you can feel", Presents the roots of dub, Jamaican Recordings – JRLP035, 2010Glen Brown & King Tubby : "Assack lawn n°1 dub", Termination dub (1973-1979), ⁠Blood & Fire⁠ – BAFCD 015, 1996Glen Brown & King Tubby : "Father for the living dubwise", Termination dub (1973-1979), Blood & Fire – BAFCD 015, 1996Lee Perry : "Fever grass dub", Blackboard Jungle Dub, Get On Down – GET-56005-10, 2012Augustus Pablo : "King Tubby meets rockers uptown", Onlyroots Records – ORLP18, 2019Lee Perry : "Bird in hand", Return of the Super Ape, Upsetters – none, 1978Big Joe : "In the ghetto", If Deejay was your trade (The Dreads at King Tubby's 1974-1977), Blood & Fire – BAFLP 001, 1994Bauhaus : "Bela Lugosi's dead", Small Wonder Records – TEENY 2, 1979Clash : "Magnificent dance", This is Radio Clash / The Magnificent Dance, Epic – 49H 06899, 1987Kanka : "Croon it", Don't stop dub!, Hammerbass – BASSCD022, 2005Source :A. "Lloyd Bradley : "Bass Culture. Quand le reggae était roi", Editions Allia, 2005.B. Bruno Blum : "King Tubby" in "Le Nouveau Dictionnaire du Rock" (dir.) M. Assayas, Robert Laffont, 2014. C. Pony Music - King Tubby, The Dub master - interview de Thilbault Ehrengardt. (émission Pony Express sur la RTS)D. T. Ehrengardt : "Real or fake Tubby" E. "Travail du bricolage et bricolage du travail. Lee Perry au Black Ark studio"F. Thomas Vendryes, « Des Versions au riddim. Comment la reprise est devenue le principe de création musicale en Jamaïque (1967-1985) », Volume ! [En ligne], 7 : 1 | 2010, mis en ligne le 15 mai 2012, consulté le 05 novembre 2024.